with Lea St Georges, Emily Wang, Mia Zhou, Prokop Spanel, Phalat Luangsomboon, Peter Bergman, Max Landau, Razan Amer, Adam Gilbreath, Xinyi Lei, Mina Gursel Tabanlioglu, Vedika Dawar, Photios Demetriou, Sabrina Blakstad, Theo Spyropoulos, Hugo Ars, Claire Potter, Sally Stott, Dan Kacinkas, Theo Sparks, Atimanyu Vashishth, Guandong Diao, Alexandra Savtchenko, Ojasvini Goel,
with Peter Bergman Max Landau, Razan Amer, Adam Gilbreath, Xinyi Lei, Mina Gursel Tabanlioglu, Theo Sparks, Alexandra Savtchenko, Leslaw Skrzypiec, Dan Kacinkas, Vedika Dawar, Photios Demetriou, Nikitha Achar, Sabrina Blakstad, Theo Spyropoulos
Wall Drawing No 112a
The Future ?
A word that occurs frequently in Climate Week
Partially prompted
The selection of
7 house plans
Printed onto A4 acetate
3 visionary or Houses of the Future
Jacobsen’s House of the Future 1927
Keisler’s Endless house 1950
The Smithson’s House of The Future 1956
Rietveld Utrecht house
A circular plan claiming to be a house from Toy Story
An Armenian Church
Loos’s house for Tristan Tszara
Necessary tools
2 overhead projectors , to project these plans to the same scale ,
5sq.m green paper , chalk ,acrylic paint , paint brushes,measuring tape map pins , hammer. folding step ladder ,staple gun
So
Working together
10 students from various parts of the school
Between 1pm and 3pm
Trace these plans onto the green paper , to a scale impossible in totality to replicate on a laptop screen.
Approximately 1:20 scale
What began as a process with clear rules evolved into
A more Dadaist activity allowing space for argument
An interesting shift that created a more participatory
with Atimanyu Vashishth, Guandong Diao, Max Landau, Peter Bergman, Lea St.Georges, Theo Sparks, Milan Solonenko,, Alexandra Savtchenko, you you, Ryan Dillon, Bianca Lee, Photios Demetriou
with Atimanyu Vashishth, Guandong Diao, Peter Bergman, Lea St.Georges, Adam Gilbreath, Theo Sparks, Nikitha Achar, Milan Solonenko, Sally Stott, Alexandra Savtchenko, you you, Mia Zhou, kaansen, Bianca Lee, Grzeg Korcel, Mariusz Stawiarski, Ojasvini Goel, Dan Kacinkas, Photios Demetriou
*cupboard audio: footsteps, door slams, siren sounds from AAIS
photos : Elena Andreea Teleaga
AALAWuN AGM
Please bring an image, or plan , of a house you would really, really like to visit, To add to the ones already on the wall ….. For a conversation in the liminal space between 2 sets of fire doors aka TPWNoG
with Atimanyu Vashishth, Leslaw Skrzypiec, Julian Wasilewski, Guandong Diao, Peter Bergman, Lea St.Georges, Adam Gilbreath, Xinyi Lei, Mina Gursel Tabanlioglu, Chiara Danieli, Hugo Ars, Theo Sparks, Nikitha Achar, Yi Chen (Tony), Ella Runeing, Milan Solonenko, Timur Dorokhov, Sally Stott, Alexandra Savtchenko, Chris Scannell, Mariusz Stawiarski, Dan Kacinkas, Vedika Dawar, Photios Demetriou, Anna Chanterasak, Tom Parkes ………….more to follow
with Hao Wu, Antonio Saucedo Azpe, Eemaan Rashid, Ying Ying Cecily Tong, Yingying Cheng, Wendi Zheng, Xujun Lu, Bianca Lee, Ojasvini Goel, Xiaoke Ding, Ziyue Wang, Deniz Kangüleç, Maria Perdomo Shalu Liu, Eilyn Cheung, Jinyu Li, Heiko Kalmbach, Atimanyu Vashishth, Tanja Siems, Thomas Parkes, Theo Lorenz
Think of yourself as a room
Think of yourself as a room without doors
Think of the AA ,
that collection of houses,
without any internal doors
The AA would become close to the 16th cent Rennaissance model of interconnected rooms
Bob Evans might have claimed that this would represent an architecture that would enable a more gregarious and sharing AA
That is worth imagining.
AALAWuN has often explored the relationshiop between its educational system of system of units and the privacy of the rooms and their doors .
Think of yourself as a room
Think of yourself as a room without doors
Think of
In his essay, Evans sets out to analyse human relationships as they are realised in an architectural plan. Drawing on a fascinating comparative analysis of paintings and floor plans of domestic spaces, Evans contrasts two types of layout: 1) the 16th century Italian Renaissance model of interconnected rooms and 2) the corridor-based arrangement becoming popular in England in the 19th century.